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Nie mów do mnie misiu! - tak tylko mówi do mnie żona , koledzy/męszczyźni nie!!!!-- widać w innych kręgach się obracamy :)

A co do toczenia piany - ty to robisz cały rok , a tylko w dniu takim jak dzisiejszy udajesz porządnegoi miłego faceta.

 

I wreszcie ci się udało!!!! huuuura!!!

Teoś ma pierwszą wypowiedź złożoną z kilku zdań - uczysz się powolutku , bo powolutku , ale idziesz do przodu:)

To co? Od dziś koniec z zabawą w punktaka?

Jeśli Teo ma radosny nastrój to znaczy , że.......odłóż te używki sprzedawane na gramy , chociaż w święta - mama się ucieszy:)

 

Zyczenia z twoich ust brzmią wyjątkowo nie szczerze , więc sobie daruj !

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zyzio

Tyś się nie dopatrzył , a ja tak. Mamy widać różną wrażliwość w tym temacie :)

Są rzeczy z których drwić nie wolno i już, dla mnie to prosta sprawa.

Także serdecznie pozdrawiam.

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>....Kto w Wigilę się kłóci - cały rok się kłóci ...

 

Masz racje , choć nie potrafie zdobyć się na odrobine życzliwości dla kogoś , kto mi psuje krew od jakiegoś czasu , niemniej jednak Wigilia to wigila , więc czas już dać spokuj.

=> jacch

No właśnie - a Rydzyk niestety drwi i stworzył wokół siebie sektę - taka jest przykra prawda - dlatego nie widziałem nic zdrożnego w poście kapellego - z dystansem trzeba podchodzić :)

jacch, 24 Gru 2005, 12:24

 

>zyzio

>Sęk w tym , że Rydzyk a dziesięć przykazań to dwie różne sprawy.

 

Jego przykazania nie mają nic wspólnego z Bożymi - dlatego o żadnej drwinie mowy być nie może :)

Trzej Królowie, oddawszy hołd Dzieciątku, w pokłonach wycofują się ze stajenki. Jeden z nich wyrżnął głową w belkę i zawołał O Jezuuu! Na to Maryja do Józefa: "Widzisz: Jezus, a ty ciągle Kazimierz i Kazimierz".

Dlaczego Bóg nigdy nie dostał doktoratu?

1. Miał tylko jedną większą publikację.

2. Była napisana po hebrajsku, nie po angielsku.

3. Nie miała odnośników.

4. Nie została nawet opublikowana w magazynie naukowym.

5. Są pewne wątpliwości co do tego czy sam ją napisał.

6. To może być prawda, że stworzył świat, ale co zrobił od tamtej pory?

7. Społeczeństwo naukowe miało trudności w odtworzeniu jego doświadczenia.

8. Niezgodnie z prawem wykonywał doświadczenia nie tylko na zwierzętach, ale i na ludziach.

9. Gdy jeden z eksperymentów źle poszedł, usiłował to zatuszować przez utopienie przedmiotu doświadczenia.

10. Rzadko przychodził na zajęcia, a tylko mówił studentom, żeby poczytali książkę.

11. Niektórzy mówią, że kazał swojemu synowi wykładać na lekcjach.

12. Wydalił swoich dwóch pierwszych studentów.

13. Chociaż było tylko dziesięć wymagań, większość ze studentów oblewała na testach.

14. Jego godziny urzędowania były rzadkie i zwykle odbywały się na szczytach gór.

 

 

Dziedziczenie cech nabytych?

 

Rzecz dzieje się na posiedzeniu Akademii Nauk ZSRR. Trofim Łysenko, główny ideolog "nowej komunistycznej genetyki" i zwolennik lamarkowskiej teorii o dziedziczeniu cech nabytych wygłasza referat. Lew Landau, wybitny fizyk, pyta:

- Twierdzi pan, że gdybyśmy obcięli krowie uszy, a potem obcięli uszy jej potomstwu - itd. przez wiele pokoleń, to wcześniej czy później zaczęłyby przychodzić na świat krowy bez uszu?

- Z całą pewnością - odpowiada Łysenko.

- A jak wyjaśni pan fakt, że wciąż przychodzą na świat dziewice?

 

 

>ABY ŁATWIEJ ZROZUMIEĆ HUMORY KOBIET:

O > Jak skomplikowane jest życie kobiety w porównaniu do życia mężczyzny.

> > Na przykładzie pobierania pieniędzy z bankomatu:

> > ON:

> > 1. Podjechać

> > 2. Włożyć kartę

> > 3. Wprowadzić PIN

> > 4. Wziąć pieniądze, kartę i kwitek

> > 4a. Oryginalny kwitek schować, a do saszetki włożyć uprzednio

> > przygotowany do pokazania żonie

> > 5. Odjechać

> > 5a. Kupić kwiaty kochance

> > 5b. Kupić kwiaty żonie

> >

> > ONA:

> > 1. Podjechać

> > 1a. Puścić sprzęgło

> > 1b. Zakląć na szarpniecie

> > 1c. Wrzucić luz

> > 1d. Ustawić lusterko wsteczne na swoja twarzyczkę

> > 1e. Skrzywić się do lusterka

> > 2. Poprawić makijaż

> > 2a. Uśmiechnąć się do lusterka

> > 3. Wysiąść otworem drzwiowym

> > 4. Włożyć kluczyki do torebki

> > 4a. Wyjąć kluczyki z torebki i zamknąć drzwi

> > 4b. Dogonić samochód i zaciągnąć ręczny hamulec

> > 5. Przejść dwie przecznice, bo koło bankomatu było miejsce

tylko na dwie długości samochodu

> > 6. Znaleźć kartę w torebce

> > 7. Włożyć kartę do bankomatu

> > 7a. Wyjąć z bankomatu kartę telefoniczną i włożyć właściwą

> > 8. Znaleźć w torebce karteczkę z zapisanym wcześniej PINem

> > 9. Wprowadzić PIN

> > 10. Postudiować instrukcję

> > 11. Wcisnąć Cancel

> > 12. Wprowadzić kod jeszcze raz, tym razem prawidłowo

> > 12a. Wcisnąć Cancel

> > 12b. Znaleźć w torebce kartkę z PIN'em do używanej właśnie karty

> > 12c. Wprowadzić sumę do wypłacenia

> > 12d. Zmniejszyć sumę do maksymalnego pułapu

> > 12e. Zmniejszyć sumę do możliwości własnego konta

> > 13. Wziąć pieniądze

> > 14. Wrócić do samochodu

> > 15. Znaleźć kluczyki

> > 16. Poszarpać się z drzwiami

> > 16a. Znaleźć kluczyki do samochodu

> > 16b. Poprawić makijaż

> > 17. Uruchomić silnik

> > 18. Ruszyć

> > 18a. Przeprosić w myślach właściciela pojazdu stojącego z tylu za porysowany

zderzak

18b. Przestawić wsteczne lusterko tak aby widać było samochód z tylu

> > 18c. Wrzucić bieg i puścić sprzęgło

> > 18d. Uruchomić silnik i zmienić bieg z "3" na "1"

> > 18e. Ruszyć

> > 19. Zatrzymać się

> > 20. Cofnąć

> > 21. Wyjść z samochodu

> > 22. Wrócić do bankomatu i zabrać kartę z kwitkiem

> > 23. Z powrotem do samochodu

> > 24. Włożyć kartę do portfela

> > 25. Włożyć kwitek do torebki

> > 26. Zanotować na karteczce ile się wzięło i ile zostało

> > 27. Zwolnić trochę miejsca w torebce aby włożyć portfel do

torebki

> > 28. Poprawić makijaż

> > 29. Wrzucić wsteczny bieg

> > 30. Wrzucić jedynkę

> > 31. Ruszyć

> > 32. Przejechać 4 km

> > 33. Zwolnić ręczny hamulec

> > 34. Domknąć drzwi

> > 35. Podjechać pod perfumerię

> > 36. Wydać wszystko

> > 37. Żyć nie umierać

The President of a large California health insurance company was also the

 

chairman of the board of his community's symphony orchestra. He could not attend

 

one of the concerts and gave his tickets to the company's director of healthcare

 

cost containment. The next morning he asked the director how he enjoyed the

 

performance. Instead of the usual polite remarks, the director handed him a

 

memorandum which went like this:

 

 

 

"The undersigned submits the following comments and recommendations

 

relative to the performance of Schubert's Unfinished Symphony by the Civic

 

Orchestra as observed under actual working conditions:

 

 

 

A. The attendance of the orchestra conductor is unnecessary for public

 

performances. The orchestra has obviously practiced and has the prior

 

authorization from the conductor to play the symphony at a predetermined level

 

of quality. Considerable money could be saved by merely having the conductor

 

critique the orchestra's performance during a retrospective peer review meeting.

 

 

 

B. For considerable periods, the four oboe players had nothing to do. Their

 

numbers should be reduced and their work spread over the whole orchestra, thus

 

eliminating peaks and valleys of activity.

 

 

 

C. All twelve violins were playing identical notes with identical notes with

 

identical motions. This is unnecessary duplication; the staff of this section

 

should be drastically cut with consequent savings. If larger volume of sound is

 

required, this could be obtained through electronic amplification, which has

 

reached very high levels of reproductive quality.

 

 

 

D. Much effort was expended in playing 16th notes. This seems an excessive

 

refinement as most of the listeners (and the violists!) are unable to

 

distinguish such rapid playing. It is recommended that all notes be rounded

 

down to the nearest 8th. If this were done, it would be possible to use trainees

 

and lower grade operators with no loss of quality.

 

 

 

E. No useful purpose would appear to be served by repeating with horns the

 

same passage that has already been handled by the strings. If all such

 

redundant passages were eliminated, as determined by a utilization review

 

committee, the concert should have been reduced from two hours to twenty

 

minutes, with still greater savings in salaries and overhead. In fact, If

 

Schubert had attended to these matters on a cost containment basis, he probably

 

would have been able to finish his symphony!"

These are stories and test questions accumulated by music teachers in the state of Missouri...

 

Agnus Dei was a woman composer famous for her church music.

 

Refrain means don't do it. A refrain in music is the part you better not try to sing.

 

A virtuoso is a musician with real high morals.

 

John Sebastian Bach died from 1750 to the present.

 

Handel was half German, half Italian, and half English. He was rather large.

 

Beethoven wrote music even though he was deaf. He was so deaf he wrote loud music. He took long walks in the forest even when everyone was calling him. I guess he could not hear so good. Beethoven expired in 1827 and later died from this.

 

Henry Purcell is a well-known composer few people have ever heard of.

 

Aaron Copland is one of your most famous contemporary composers. It is unusual to be contemporary. Most composers do not live until they are dead.

 

An opera is a song of bigly size.

 

In the last scene of Pagliacci, Canio stabs Nedda who is the one he really loves. Pretty soon Silvio also gets stabbed, and they all live happily ever after.

 

When a singer sings, he stirs up the air and makes it hit any passing eardrums. But if he is good, he knows how to keep it from hurting.

 

Music sung by two people at the same time is called a duel.

 

I know what a sextet is but I had rather not say.

 

Caruso was at first an Italian. Then someone heard his voice and said he would go a long way. And so he came to America.

 

A good orchestra is always ready to play if the conductor steps on the odium.

 

Morris dancing is a country survival from times when people were happy.

 

Most authorities agree that music of antiquity was written long ago.

 

Probably the most marvelous fugue was the one between the Hatfields and McCoys.

 

My very best liked piece of music is the Bronze Lullaby.

 

My favorite composer is Opus.

 

A harp is a nude piano.

 

A tuba is much larger than its name.

 

Instruments come in many sizes, shapes and orchestras.

 

You should always say celli when you mean there are two or more cellos.

 

Another name for kettle drums is timpani. But I think I will just stick with the first name and learn it good.

 

A trumpet is an instrument when it is not an elephant sound.

 

While trombones have tubes, trumpets prefer to wear valves.

 

The double bass is also called the bass viol, string bass, and bass fiddle. It has so many names because it is so huge.

 

When electric currents go through them, guitars start making sounds. So would anybody.

 

Question: What are kettle drums called?

Answer: Kettle drums.

 

Cymbals are round, metal CLANGS!

 

A bassoon looks like nothing I have ever heard.

 

Last month I found out how a clarinet works by taking it apart. I both found out and got in trouble.

 

Question: Is the saxophone a brass or a woodwind instrument?

Answer: Yes.

 

The concertmaster of an orchestra is always the person who sits in the first chair of the first violins. This means that when a person is elected concertmaster, he has to hurry up and learn how to play a violin real good.

 

For some reason, they always put a treble clef in front of every line of flute music. You just watch.

 

I can't reach the brakes on this piano!

 

The main trouble with a French horn is it's too tangled up.

 

Anyone who can read all the instrument notes at the same time gets to be the conductor.

 

Instrumentalist is a many-purposed word for many player-types.

 

The flute is a skinny-high shape-sounded instrument.

 

The most dangerous part about playing cymbals is near the nose.

 

A contra-bassoon is like a bassoon, only more so.

 

Tubas are a bit too much.

 

Music instrument has a plural known as orchestra.

 

I would like for you to teach me to play the cello. Would tomorrow or Friday be best?

 

My favorite instrument is the bassoon. It is so hard to play people seldom play it. That is why I like the bassoon best.

 

It is easy to teach anyone to play the maracas. Just grip the neck and shake him in rhythm.

 

Just about any animal skin can be stretched over a frame to make a pleasant sound once the animal is removed.

A Humid Recital Stirs Bangkok

The recital, last evening in the chamber music room of the Erawan Hotel by U.S. Pianist Myron Kropp, the first appearance of Mr. Kropp in Bangkok, can only be described by this reviewer and those who witnessed Mr. Kropp's performance as one of the most interesting experiences in a very long time.

A hush fell over the room as Mr. Kropp appeared from the right of the stage, attired in black formal evening-wear with a small white poppy in his lapel. With sparse, sandy hair, a sallow complexion and a deceptively frail looking frame, the man who has repopularized Johann Sebastian Bach approached the Baldwin Concert Grand, bowed to the audience and placed himself upon the stool.

 

It might be appropriate to insert at this juncture that many pianists, including Mr. Kropp, prefer a bench, maintaining that on a screw-type stool, they sometimes find themselves turning sideways during a particularly expressive strain. There was a slight delay, in fact, as Mr Kropp left the stage briefly, apparently in search of a bench, but returned when informed that there was none.

 

As I have mentioned on several other occasions, the Baldwin Concert Grand, while basically a fine instrument, needs constant attention, particularly in a climate such as Bangkok. This is even more true when the instrument is as old as the one provided in the chamber music room of the Erawan Hotel. In this humidity, the felts which separate the white keys from the black tend to swell, causing an occasional key to stick, which apparently was the case last evening with the D in the second octave.

 

During the "raging storm" section of the D-Minor Toccata and Fugue, Mr. Kropp must be complimented for putting up with the awkward D. However, by the time the "storm" was past and he had gotten into the Prelude and Fugue in D Major, in which the second octave D plays a major role, Mr. Kropp's patience was wearing thin.

 

Some who attended the performance later questioned whether the awkward key justified some of the language which was heard coming from the stage during softer passages of the fugue. However, one member of the audience, who had sent his children out of the room by the midway point of the fugue, had a valid point when he commented over the music and extemporaneous remarks of Mr. Kropp that the workman who had greased the stool might have done better to use some of the grease on the second octave D. Indeed, Mr. Kropp's stool had more than enough grease and during one passage in which the music and lyrics were both particularly violent, Mr. Kropp was turned completely around. Whereas before his remarks had been aimed largely at the piano and were therefore somewhat muted, to his surprise and that of those in the chamber music room he found himself addressing himself directly to the audience.

 

But such things do happen, and the person who began to laugh deserves to be severely reprimanded for this undignified behavior. Unfortunately, laughter is contagious, and by the time it had subsided and the audience had regained its composure Mr. Kropp appeared somewhat shaken. Nevertheless, he swiveled himself back into position facing the piano and, leaving the D Major Fugue unfinished, commenced on the Fantasia and Fugue in G Minor.

 

Why the concert grand piano's G key in the third octave chose that particular time to begin sticking I hesitate to guess. However, it is certainly safe to say that Mr. Kropp himself did nothing to help matters when he began using his feet to kick the lower portion of the piano instead of operating the pedals as is generally done.

 

Possibly it was this jarring or the un-Bach-like hammering to which the sticking keyboard was being subjected. Something caused the right front leg of the piano to buckle slightly inward, leaving the entire instrument listing at approximately a 35-degree angle from that which is normal. A gasp went up from the audience, for if the piano had actually fallen several of Mr. Kropp's toes if not both his feet, would surely have been broken.

 

It was with a sigh of relief therefore, that the audience saw Mr. Kropp slowly rise from his stool and leave the stage. A few men in the back of the room began clapping and when Mr. Kropp reappeared a moment later it seemed he was responding to the ovation. Apparently, however, he had left to get a red- handled fire ax which was hung back stage in case of fire, for that was what was in his hand.

 

My first reaction at seeing Mr. Kropp begin to chop at the left leg of the grand piano was that he was attempting to make it tilt at the same angle as the right leg and thereby correct the list. However, when the weakened legs finally collapsed altogether with a great crash and Mr. Kropp continued to chop, it became obvious to all that he had no intention of going on with the concert.

 

The ushers, who had heard the snapping of piano wires and splintering of sounding board from the dining room, came rushing in and, with the help of the hotel manager, two Indian watchmen and a passing police corporal, finally succeeded in disarming Mr. Kropp and dragging him off the stage.

ETHICS TEST

 

This test only has one question, but it's a very important one. By giving

an honest answer, you will discover where you stand morally. No one else

will know, so you won't be fooling anyone but yourself if you give

anything but a truthful answer.

 

The test features an unlikely, completely fictional situation in which you

will have to make a decision. Please read slowly and thoughtfully, giving

due consideration to each line.

 

Here's the situation:

You are in Florida; Miami to be specific. There is chaos all around you

caused by a hurricane with severe flooding. This is a flood of biblical

proportions.

You are a photojournalist working for a major newspaper, and you're caught

in the middle of this epic disaster. The situation is nearly hopeless.

You're trying to shoot career-making photos. There are houses and people

swirling around you, some disappearing under the water. Nature is

unleashing all of its destructive fury. Suddenly, you see a man

floundering in the water. He is fighting for his life, trying not to be

taken down with the debris. You move closer...somehow the man looks

familiar. You suddenly realize who it is. It's George W. Bush, President

of the United States!! At the same time

you notice that the raging waters are about to take him under...forever.

You have two options: You can save the life of G.W. Bush, or you can shoot

a dramatic, Pulitzer Prize winning photo, documenting the death of one of

the world's most powerful persons.

 

 

So here's the question, and please give an honest answer:

Would you select high contrast colour film, or would you go with the

classic simplicity of black and white?

NO I CZEGO ROBI SCENY? PRZECIEŻ NASZA GWARA GÓRLASKA TEŻ POCHODZI OD ANGIELSKIEGO.

PRZYCHODZI BACA DO DOMU I MÓWI DO ŻONY: MAYŚKA JEŚĆ TU DEJ. POTEM WYCHODZI PRZEZ CHATĘ I ZATACZAJĄC RĘKĄ WKOŁO MÓWI: TUM OROŁ.

Ten Lennon to śpiewał jeszcze jedną taką fajną piosenkę "Hey Jude, kopiemy dół, trzy dwadzieścia na dwa i pół". Jak znalazł przy kopaniu kopców na ziemniaki.

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