BOXY wieloplytowe

[bananamoon]

BONZO DOG BAND "A Dog's Life"

 

Nowe ↔ Stare

Pięć studyjnych albumów tej wspaniałej grupy ("Gorilla", "The Doughnut In Granny's Greenhouse", "Tadpoles", "Keynsham", "Let's Make Up And Be Friendly"), w cenie...flaszki wódki.

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Chicago]

Georg Friedrich Handel - Opera Arias Oratorios & Cantatas: Baroque Voices

 

Tym razem wydawnictwo NAIVE w serii "Baroque Voices" zapakowalo do jednego

pudelka trzy CD, w tym jedno wydanie jest podwojne, co nam daje cztery plyty.

 

CD 1

Handel Opera Seria

Sadrine Piau - sopran

Nagranie: Luty 2004, Theatre de Poissy, Auditorium (France)

Nagrano w systemie 24 bit/96KHz

 

CD 2

Handel Opera Arias & Cantatas

Maria Bayo - sopran

Nagranie: Kwiecien 11-16 1999, Notre-Dame du Liban (Paris)

Wydanie: 2004

 

CD 3&4

Handel Il Trionfo Del Tempo E Del Disinganno

Deborah York - sopran

Gemma Bertagnolli - sopran

Sara Mingardo - kontralt

Nicholas Sears - tenor

 

Concerto Italiano

Rinaldo Alessandrini

 

Nagranie: Wrzesien 2000, Villa Mondragone, Monteporzio Catone (Italy)

Wydanie: 2007

Obszerne informacje i komentarze na temat muzyki, wykonawcow oraz

sprzetu i systemow nagraniowych uzytych do realizacji tego materialu

w ksiazeczkach dolaczonych do kazdej plyty.

 

Cena na Amazon Market Place od $15.34

Cena w ksiegarni Borders $13.39

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Pozdrawiam, Mariusz

 

PS.

Ciekawostka jest to, ze bardzo dobrze zrealizowane plyty, z bardzo dobrych wytworni,

niejednokrotnie z dobrym lub bardzo dobrym materialem kosztuja dwa razy mniej niz

paczka firmowych papierosow. Box 4CD w kwocie $13.39 to $3.34 za plyte. Niesamowite.

Sam nie wiem czy sie smiac czy plakac.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Gość Przemski]

Na jednym z polskich serwisów aukcyjnych trafiłem na ofertę zestawu 30 płyt p.t. "ORIGINAL JAZZ CLASSICS - JAZZ TRAIN". Wydawnictwo podobne do 25-płytowego "La Discotheque Ideale" i w podobnej cenie, bo 189 zł.

 

Czy ktoś z szanownych forumowiczów miał okazję spotkać się z tym zestawem i potrafi wyrazić opinie?

[Chicago]

Wytwornia "Naive" po raz kolejny w serii "Voix Baroque" skompletowala

i zapakowala nam do pudeleczka cztery CD. Tym razem jest to Monteverdi.

 

"Monteverdi Madrigali" - Concerto Italiano Rinaldo Alessandrini

 

CD 1 - "Quinto Libro De Madrigali"

 

Rossana Bertini, Elisa Franzetti, Monica Piccinini - sopran

Fulvia Bertoli - mezzosopran

Claudio Cavina - alt

Giuseppe Maletto, Sandro Naglia - tenor

Daniele Carnovich, Sergio Foresti - bass

 

Andrea Damiani - tiorba

Rinaldo Alessandrini - clavicymbal

Fabio Biondi, Enrico Casazza, Isabella Longo - violin

Massimo Battistella - cello

 

Nagranie: May 1996, Salone della Musica, Villa Medici, Italy

Oryginalne wydanie przez "Opus 111" w 2000 roku

 

CD 2 - "Quatro Libro De Madrigali"

 

Rossanna Bertini, Cristina Miatello - sopran

Bianca Simone - mezzosopran

Claudio Cavina - alt

Giuseppe Maletto, Sandro Naglia - tenor

Marcello Vargetto - bass

 

Nagranie: May 1993, Eremo di Ronzano (Bologna), Italy

Oryginalne wydanie przez "Opus 111"

 

CD 3 - "Il secondo Libro De'Madrigali"

 

Rossana Bertini - sopran

Rosa Dominguez - mezzosopran

Claudio Cavina - alt

Giuseppe Maletto, Sandro Naglia - tenor

Marco Radaelli - baritone

Danielle Carnovich - bass

 

Nagranie: May 2008, Oslo Opera House, Norway

 

CD 4 - "Ottavo Libro dei Madrigali"

 

Rossana Bertini, Elisa Franzetti - sopran

Claudio Cavina, Alessandro Carmignani - alt

Gianluca Ferrarini, Giuseppe Maletto, Sandro Naglia - tenor

Daniele Carnovich, Sergio Foresti - bass

 

Francesca Vicari - violin

Lorenzo Colitto - violin

Ettore Belli - viola

Luca Sanzo - viola

Luigi Piovano - cello

Luca Cola - contrabass

Vittorio Ghielmi - viola da gamba

Andrea Damiani - tiorba

Andrea Pierugi, Rinaldo Alessandrini - clavicymbal

 

Nagranie: February 1997, Sallone della Musica, Villa Medici, Italy

Oryginalne wydanie przez "Opus 111"

 

Wydanie Box: October 26, 2010. Cena na Amazon Market Place od $15.12

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[tyszkens]

mam nadzieję, że mnie nie zabijecie

 

Sony's Original Album Classics box sets (Germany and U.S.)

 

IN the last two years, the German wing of Sony BMG has taken it upon

themselves to reissue five classic album titles together in their

remastered and extended versions in a single slipcase, each CD inside

a mini-LP cardboard slipcase.

Previously in the US this was done sloppily, where early jewel-cased

versions, and not remastered versions, were slipped into boxes just

to get rid of stock. But now Sony U.S. has recently contributed a few

titles that are done to the German standards of mastering and

packaging. Pricing is all over the place [assumably due to different

royalty formulas, who knows?], and it is interesting to note the

difference betweeen the German and U.S. Sonny Rollins boxes below,

and that the U.S. one COSTS MORE! Jeez, any wonder why the U.S.

economy is going down the tubes?

 

We have picked out from the 200+ sets available ones to our interest

AND that remain a cost savings in regards to how hard it is to

assemble specific materials otherwise

 

 

LOUIS ARMSTRONG - Original Album Classics: Plays W C Handy/Plays

Fats/Ambassador Satch/The Great Chicago Concert 1958 [5 CD box set]

(Columbia/Sony 65721; USA) Each set is presented in a high quality,

rigid cardboard slipcase containing five 'vinyl replica' mini LP

sleeves

5 CD set for $30

 

JEFF BECK GROUP - Original Album Classics: Rough And Ready/Jeff Beck

Group/Blow By Blow/Wired/With Jan Hammer Live [5 CD box set]

(Epic/Sony 799164; Germany) Each set is presented in a high quality,

rigid cardboard slipcase containing five 'vinyl replica' mini LP

sleeves

This set from the American guitar legend features the albums Rough

And Ready (1971) (OOP in the US), Jeff Beck Group (1972) (OOP in the

US), Blow By Blow (1975), Wired (1976) and Jeff Beck Group With Jan

Hammer Live (1977).

5 CD set for $42

 

GEORGE BENSON - Original Album Classics: It's Uptown/George Benson

Cookbook/Beyond The Blue Horizon/Body Talk/Bad Benson [5 CD box set]

(Columbia/CTI/Sony 1257608; Germany) Each set is presented in a high

quality, rigid cardboard slipcase containing five 'vinyl replica'

mini LP sleeves.

Benson recorded a couple of titles for Columbia in 1965 with John

Hammond and Creed Taylor; the latter left shortly thereafter to start

his CTI venture with A&M and took Benson with him. This box compiles

the expanded versions of both of Benson's Columbia titles, It's

Uptown and The George Benson Cookbook, with three of his early CTI

dates including Beyond the Blue Horizon, Body Talk, and Bad Benson.

It would have been perfect if they'd been able to sub White Rabbit in

there for either of the first two CTI releases, but picking that baby

up will only set you back about ten bucks anyway. These records sound

great, most of them are great, and what's more, if you are smart as a

consumer, you can score them online for a deeply discounted price

that comes out to six or seven dollars a disc -- even including

shipping, and some retailers ship free if you spend over 25 bucks or

so anyway. In other words, these are cheaper than their domestic

counterparts and look nicer because of higher-grade paper used in

production. ~ Thom Jurek

5 CD set for $23

 

THE BRECKER BROTHERS [MICHAEL & RANDY] - Original Album Classics: The

Brecker Brothers/Don't Stop The Music/Heavy Metal

Be-Bop/Detente/Straphangin' [5 CD box set] (Arista/Sony 867299;

Germany) Each set is presented in a high quality, rigid cardboard

slipcase containing five 'vinyl replica' mini LP sleeves

5 CD set for $39

 

DUKE ELLINGTON - Original Album Classics: Hi-Fi Ellington Uptown/Such

Sweet Thunder/Black Brown & Beige/Anatomy Of A Murder [sndtck]/First

Time: With Count Basie [5 CD box set] (Columbia/Sony 1257607;

Germany) Each set is presented in a high quality, rigid cardboard

slipcase containing five 'vinyl replica' mini LP sleeves.

For the right price, this five-CD collection of Duke Ellington albums

from the '50s is about as potent and diverse a product for this time

period as you will find, given you don't already have them all on

single discs. The less essential Hi-Fi Ellington Uptown, which was

also reissued with the recording Blue Light, kicks off the set. The

following three CDs -- Such Sweet Thunder, Black, Brown & Beige, and

the heavy Otto Preminger movie soundtrack Anatomy of a Murder -- are

among Ellington's finest of any time frame in his career. Some

critics have dissed First Time!, which is a collaboration with the

Count Basie Orchestra, but it remains unique and potent. Any

Ellington lover would enjoy this as a present, and to have all of

them in one package is simply magnificent. This comes highly

recommended. ~ Michael G. Nastos

5 CD set for $44

 

MAHAVISHNU ORCHESTRA [JOHN McLAUGHLIN/JERRY GOODMAN/JAN HAMMER/RICK

LAIRD/BILLY COBHAM et al] - Original Album Classics: Inner Mounting

Flame/Birds Of Fire/Between Nothingness & Eternity/Apocalypse/Visions

Of The Emerald Beyond [5 CD box set] (Columbia/Sony 1257610; Germany)

Each set is presented in a high quality, rigid cardboard slipcase

containing five 'vinyl replica' mini LP sleeves.

In the heyday of early-'70s jazz-rock fusion, John McLaughlin's

Mahavishnu Orchestra ruled the roost. This CD collects the first

five, and most important albums of the group, showcasing their

evolution from the quintet that did the first three LPs, and the

personnel changes and texture expansions that further cemented

McLaughlin's vision. Inner Mounting Flame and Birds of Fire were

groundbreaking efforts, while Between Nothingness & Eternity was a

flawed live recording in New York City's Central Park as the band was

about to split up. Violinist Jean-Luc Ponty replaced Jerry Goodman,

the rhythm section was completely revamped, and orchestral settings

were added to Apocalypse and Visions of the Emerald Beyond. This is a

fine early view of a band that changed the face of modern jazz music,

and this collection perfectly showcases the transition they made

prior to their final dissolution. ~ Michael G. Nastos, AMG

5 CD set for $22

 

SHAKTI [JOHN McLAUGHLIN/ZAKIR HUSSAIN/L SHANKAR]/ & JOHN McLAUGHLIN

With et al - Original Album Classics: Shakti/A Handful Of

Beauty/Natural Elements//Electric Guitarist/Electric Dreams [5 CD box

set] (Columbia/Sony 1257609; Germany) Each set is presented in a

high quality, rigid cardboard slipcase containing five 'vinyl

replica' mini LP sleeves

This second box in Sony's German Original Album Classics series

focuses on five titles from John McLaughlin's solo years immediately

following the breakup of the Mahavishnu Orchestra (there is an OAC

volume for that great band as well). Essentially, this box packages

together import pressings of five individual titles (minus bonus

tracks, but each with its original artwork). In this case they are

Shakti, A Handful of Beauty , Natural Elements (both of the latter

also with Shakti), Electric Guitarist, and Electric Dreams. Fans who

already possess the U.S. versions of some or all of these albums need

not bother with this -- though they do have marginally better sound.

It can also be argued that Electric Dreams is a superfluous dog of an

album. The three acoustic Shakti albums are indispensable, and

Electric Guitarist is also a highly satisfying recording. Retail on

these sets runs anywhere from 36 to 45 dollars, making them a very

decent buy for much less than an import price. ~ Thom Jurek, All

Music Guide

5 CD set for $21

 

THELONIOUS MONK - Original Album Classics: Criss Cross/Monk's

Dream/Solo Monk/Straight No Chaser/Underground [5 CD box set]

(Columbia/Sony 12576104; Germany) Each set is presented in a high

quality, rigid cardboard slipcase containing five 'vinyl replica'

mini LP sleeves.

With his odd rhythmic spacing, discordant resolves and his circular

yet angular compositional style, Thelonious Monk remains one of the

most singular figures in all of jazz, and virtually every one of his

recordings is as enigmatic as the pianist himself was. This set

combines his five albums for Columbia Records, 1962's Criss Cross and

Monk's Dream, 1964's Solo Monk, 1966's Straight, No Chaser, and

1967's Underground, in a single package, and anyone thinking Monk

wasn't as vital during those years really needs to hear this stuff.

It's classic Monk, and this collection is a great way to get it in a

single swoop. ~ Steve Leggett, AMG

5 CD set for $24

 

SONNY ROLLINS With COLEMAN HAWKINS/DON CHERRY/HENRY GRIMES et al -

Original Album Classics: Sonny Meets Hawk!/Our Man In Jazz/What's

New?/Now's The Time!/The Standard Sonny Rollins [5 CD box set]

(RCA/Sony 69983; USA) Each set is presented in a high quality, rigid

cardboard slipcase containing five 'vinyl replica' mini LP sleeves

The U.S. edition of this box has the VERY hard-to-get 'Now's The

Time' album instead of 'The Bridge' album of the German ed.

5 CD set for $30

 

..or..

 

SONNY ROLLINS With COLEMAN HAWKINS/DON CHERRY/HENRY GRIMES et al -

Original Album Classics: Sonny Meets Hawk!/Our Man In Jazz/What's

New?/The Brige/The Standard Sonny Rollins [5 CD box set] (RCA/Sony

1257612; Germany) Each set is presented in a high quality, rigid

cardboard slipcase containing five 'vinyl replica' mini LP sleeves.

The German edition of this box has 'The Bridge' album instead of

'Now's The Time' album of the U.S. ed.

The Sonny Rollins entry in the German Sony/RCA Victor Original Album

Classics series contains five albums he recorded for RCA between

1962-1964. They are individually packaged in a single box, with

replicas of the original artwork. The albums contained here are from

the very productive period after Rollins emerging from his second

"retirement" phase -- in a career fraught with them. First up is the

true gem in the bunch, The Bridge -- so named for the period Rollins

simply practiced his horn at night on the Brooklyn Bridge. This is,

without question, more than a catalog entry for the great saxophone

colossus; it is a defining moment of a period in his six-decade

career. Other titles in this box include Our Man in Jazz, What's New?

(which includes the first version of his "Don't Stop the Carnival"),

Sonny Meets Hawk (with Coleman Hawkins), and The Standard Sonny

Rollins. All of these recordings are solid, but there is more than a

chance that Rollins fans already have all of them. The sound on these

is marginally better than their domestic counterparts, and the price

for this collection is very reasonable. ~ Thom Jurek, Rovi

5 CD set for $22

 

SANTANA With JOHN McLAUGHLIN et al - Original Album Classics Vol 1:

Caravanserai/Love Devotion Surrender/Welcome/Borboletta/Amigos [5 CD

box set] (Columbia/Sony 799178; Germany) Each set is presented in a

high quality, rigid cardboard slipcase containing five 'vinyl

replica' mini LP sleeves.

This set from the band led by the guitar legend Carlos Santana

features the albums Caravanserai (1972), Love Devotion Surrender

(1972), Welcome (1973), Borboletta (1974) and Amigos (1976).

5 CD set for $39

 

SANTANA - Original Album Classics Vol 2: Inner

Secrets/Marathon/Zebop/Shango/Freedom [5 CD box set] (Columbia/Sony

849326; Germany) Each set is presented in a high quality, rigid

cardboard slipcase containing five 'vinyl replica' mini LP sleeves.

This middle-period set documents Santana as they never were before or

after -- as a singles outfit as interested in performing classics

from the rock and R&B canon as they were in writing original

material. ~ Thom Jurek, Rovi

5 CD set for $44

 

LONNIE LISTON SMITH - Original Album Classics: Astral

Traveling/Expansions/Cosmic Funk/Visions Of A New World/Reflections

Of A Golden Dream [5 CD box set] (CBS/Sony 849327; Germany) Each set

is presented in a high quality, rigid cardboard slipcase containing

five 'vinyl replica' mini LP sleeves

Albums included are; Astral Traveling (1973), Expansions (1974) (OOP

in the US on CD), Cosmic Funk (1974) (OOP in the US on CD), Visions

Of A New World (1975) (OOP in the US on CD) and Reflections Of A

Golden Dream (1976) (OOP in the US on CD). Up until the early '70s,

Lonnie was best known as an exceptional sideman, but once he stepped

out on his own (working with his band The Cosmic Echoes), he became

one of the originators of the Jazz/Fusion movement.

5 CD set for $42

 

SOFT MACHINE [MIKE RATLEDGE/ROBERT WYATT/HUGH HOPPER/ELTON DEAN/KARL

JENKINS/ROY BABBINGTON/JOHN MARSHALL et al] - Original Album

Classics: Third/Four/Five/Six/Seven [5 CD box set] (CBS/Sony 894899;

Germany) Each set is presented in a high quality, rigid cardboard

slipcase containing five 'vinyl replica' mini LP sleeves

5 CD set for $34

 

WEATHER REPORT [WAYNE SHORTER/JOE ZAWINUL/JACO PASTORIUS et al] -

Original Album Classics: I Sing The Body

Electric/Sweetnighter/Mysterious Traveller/Black Market/Night Passage

[5 CD box set] (Columbia/Sony 1257615; Germany) Each set is

presented in a high quality, rigid cardboard slipcase containing five

'vinyl replica' mini LP sleeves

An insane price on 5 albums by the one of the best (and certainly the

most popular) of the great jazz-rock bands of the 1970s. You get

three stone classics: I Sing the Body Electric, Sweetnighter and

Mysterious Traveller, one still very good one (Black Market) and a

early later-period work, Night Passage for less than if you stole

them and burned them onto CDR and printed out artwork for them. How

long will these be available at this price? I don't know. But here

they are for now.

5 CD set for $21

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[meloman 62]

Dla lubiących kantaty Bacha spora przecena:

 

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Pozdrawiam

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[marco1972]

Dla wielbicieli Glena wytwórnia West Hill Radio i chyba wcześniej nie publikowane nagrania.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[zn21]

Wreście polska orkiestra grająca na instrumentach z epoki i polski dyrygent dokonałi coś wielkiego: komplet wszystkich koncertów fortepianowych (11CD)

Viviana Sofronitsky - pianoforte

Musica Antiqua Collegium Varsoviense

Tadeusz Karolak - dyrygent

Słuchałem i polecam.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[broy]

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

chyba warto , pzdr

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Jakew]

Myślę że pokazałeś się tu Broy z jak najlepszej strony.

 

W Stanach ta kolekcja kosztuje trzykrotnie więcej.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[ABs]

>Janek super proposal,

żem się skusił na kolejne pudełko z "mizerią", ale ja lubie takie wydania - tak mi się zrobiło, ze słucham po kolei jak playlisty za dnia w tle, dopiero póznym popołudniem przerzucam sie na jazz i też trudno coś przesłuchać bez przerwy w skupieniu...

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[broy]

Jakew, za taki kąplemęt to ja chyba Koledze...zafunduję...boksik.....w każdem razie kontent jestem....

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Jakew]

Kupiłem już, wiesz - w takich warunkach (30 płyt za cenę 2) zawsze się wyjdzie na swoje i jeszcze rozda ponad 20 na pewno.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[marco1972]

Słynne nagrania Sergiu Celibidache w większości już chyba niedostępne pojawiają się w nowych opakowaniach - naprawdę warto.

 

do pełnego kompletu:

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[meloman 62]

Parę interesujących (i przecenionych :)) boxów z jpc:

 

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Pierwszego jeszcze nie znam, ale resztę mogę z czystym sumieniem polecić

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[ABs]

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Jakew]

Cieszy wznowienie tego cennego wątku; dziekuję, wybrałem to i owo z ostatnich zgłoszeń.

 

Box Rogera Watersa się ukazał, na Amazonka.pl cały plik płyt kosztował gdy kupowałem nieco ponad sto zł.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[meloman 62]

Moim zdaniem duża okazja

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Gość glazior]

Witam.

Od 3 pażdziernika w sprzedaży nowy box Harmonia Mundi Lumieres:

Label: Harmonia Mundi Catalog #: 2908601

Composer: Wolfgang Amadeus Mozart, Christoph W. Gluck, Jean-Philippe Rameau, George Frideric Handel, Ludwig van Beethoven,

Franz Joseph Haydn, Antoine Dauvergne, André Campra, Antonio Vivaldi,

Pietro Antonio Locatelli, Giovanni Battista Pergolesi, François Couperin, Jean-Féry Rebel,

Georg Philipp Telemann, Johann Sebastian Bach, Mathias Georg Monn, Giuseppe Tartini,

Carl Philipp Emmanuel Bach, Johann Christian Bach, Ignace Joseph Pleyel, Giovanni Battista Sammartini,

Wilhelm Friedemann Bach, Luigi Boccherini, Giuseppe Verdi, J. C. F. Bach,

Johann Schobert, Johann Kuhnau, Jean-Joseph Cassanéa de Mondonville, Johann Nepomuk Hummel,

Carl Stamitz

Performer: Kobie van Rensburg, Véronique Gens, Patrizia Ciofi, Marie McLaughlin, Antonio Abete,

Nicolau De Figueiredo, Nuria Rial, Lorenzo Regazzo, Simon Keenlyside,

Angelika Kirchschlager, Veronica Cangemi, Maria Cristina Kiehr, Bernarda Fink,

Sophie Daneman, Jérôme Corréas, Agnès Mellon, Howard Crook,

Adrian Brand, René Schirrer, Claire Brua, Sandrine Piau,

Mark Padmore, Jean-Claude Sarragosse, David Wilson-Johnson, Susan Gritton,

Carolyn Sampson, Sarah Connolly, Melanie Diener, Petra Lang,

Endrik Wottrich, Dietrich Henschel, Marie Saint-Palais, Sophie Marin-Degor,

Nicolas Rivenq, Jean-Marc Salzmann, Alain Planès, Elisabeth Baudry,

Monique Zanetti, Josep Benet, Stephen Varcoe, John Elwes,

Anna Prohaska, Christophe Rousset, Ryo Terakado, Kaori Uemura,

Midori Seiler, Richard Egarr, Jean-Guihen Queyras, Enrico Gatti,

Andreas Staier, Lars Ulrik Mortensen, Gottfried Von der Goltz, Javier Zafra,

Susanne Kaiser, Ann-Kathrin Bruggemann, Erwin Wieringa, Ivan Monighetti,

Stefan Vladar, Paul Lewis, John Toll, Paul Goodwin,

Nigel North, Susan Sheppard, Davitt Moroney, Janet See,

John Holloway, Jaap ter Linden, Martha Cook, Chiara Banchini,

Luciano Sgrizzi, Philipp Bosbach, John Butt, Judith Nelson,

Stanley Ritchie, William Christie, Temenuschka Vesselinova, Erich Höbarth,

Christophe Coin, Patrick Cohen, Daniel Sepec

Conductor: René Jacobs, William Christie, Daniel Reuss, Philippe Herreweghe, Petra Müllejans,

Bernhard Forck, Richard Egarr, Chiara Banchini, Gottfried Von der Goltz,

Stephan Mai, Jiri Belohlávek, Andrew Manze

Orchestra/Ensemble: Concerto Cologne, Cologne Collegium Vocale, Berlin RIAS Chamber Chorus, Freiburg Baroque Orchestra,

Les Arts Florissants, Academy for Ancient Music Berlin, La Chapelle Royale Paris,

Collegium Vocale, Champs-Élysées Orchestra, Cappella Coloniensis,

Academy of Ancient Music, Ensemble 415, London Baroque,

Camerata Salzburg, BBC Symphony Orchestra, English Concert,

Mozartean Players, Freiburg Baroque Orchestra Consort, Jerusalem String Quartet,

Terzetto, Tokyo String Quartet

 

 

 

 

 

 

 

 

 

 

Notes & Reviews Back to Top

 

The 18th century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the 18th century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

29 CDs plus 1 CD-Rom to discover the music of the 18th Century!

COMPLETE & UNCUT 3 operas and 1 oratorio

French harpsichord music

The Twilight of the Baroque Oratorio

The History of the Concerto

From Sinfonia to Symphony

Opera : tragédie lyrique, Gluck’s Reform & the Mozartian Opera

‘A Tre’: From the trio sonata to the Piano trio

The Classical Sonata

The birth of the String quartet…

 

• Over 33 hours of music, 80 cornerstones of classical music in deluxe packaging

 

 

Reviews of some of the original recordings that make up this set:

 

Beethoven's late string quartets

"Here in the late quartets we have playing from the Tokyo Quartet that is full-bodied, perfectly balanced and blended, incisive and undivided in attack and release, rich in tone, smooth in bowing, precise in pitch, judicious in tempos, and observant of repeats, dynamics, and expression markings. And all of this is now captured by Harmonia Mundi’s engineers in an acoustic space that provides air around the players and places them in proper perspective.

 

 

The performance bar for Beethoven’s string quartets is very high, and while I shall resist the temptation to say that the Tokyo Quartet, at least in the late quartets, has raised the bar even higher, I will say that these readings are about as high as the bar has thus far risen. This set will not replace other favorites—the Emerson, Berg, Endellion, Alexander, Italiano, Cleveland, and Takács quartets—but it will proudly join them. This gets a five-star recommendation."

 

-- Jerry Dubins, Fanfare

 

Mozart's Le Nozze di Figaro

Much like his Cosi fan tutte of a couple of years ago, René Jacobs here gives us a "Nozze" that's so vibrant as to be practically visible. The give-and-take in the recitatives is timed brilliantly to real speech patterns, the singers whisper conspiratorily when needed (the asides sound like real asides--a very difficult effect to create on disc), and the ensembles have a true sense of spontaneity.

 

 

In the accompanying booklet Jacobs addresses the questions of tempo, recitative, and continuo, not to mention structural and dramatic reasons for including Basilio's and Marcellina's arias in the last act, which are persuasive and insightful. Accordingly, we learn of Mozart's fondness for quick tempos, the need for appoggiaturas, the search for apt ornamentation, and more. In fact, Jacobs' tempos are not particularly fast by après-Böhm-and-Karajan standards (the very end of the second-act finale is more rigid and clear than it normally is), appoggiaturas abound and sound just right, and the ornamentation is plentiful and, although a bit jarring at first, very nice indeed. The prominent pianoforte, diddling away with musical commentary in recitatives, makes it almost another character, and it can be heard underpinning arias as well. Some listeners may find it intrusive; I think it's fascinating. (Just before Susanna's last-act "Deh vieni, non tardar", it plays a bit of "Un moto di gioia", a substitute aria for Susanna--an "in" joke if ever there were one.)

 

The performances are exciting. Simon Keenlyside's Count is simply the best on disc; he manages to be lascivious and angry without ever going into mustache-twirling caricature (the way, say, Fischer-Dieskau tended to), and he's the only singer I've ever heard who gets through every note, every turn, every trill of the third-act aria unscathed, even victorious. His Countess, Veronique Gens, at times seems a bit vocally out of sorts, but she presents a remarkably sympathetic figure, with sadness and girlish desire for fun in equal measure.

 

 

Patrizia Ciofi's Susanna is beautifully sung--spicy and knowing; she's a perfect foil for the somewhat serious Figaro of Lorenzo Regazzo. He has a rich voice and all the notes for the soon-to-be-wed Figaro, and he sounds properly non-plussed by the Bartolo/Marcellina announcement. Angelika Kirchschlager's Cherubino is boyish and impetuous, a truly romance-stricken character. Marie McLaughlin makes a younger-than-usual Marcellina, Antonio Abete flavors Bartolo well, and Kobie van Rensburg is colorful as both Basilio and Don Curzio.

 

 

As suggested, Jacobs is the true star. By keeping the cast interested and lively and by bringing out the razzing in the winds, the blare of the horns (in Figaro's fourth-act aria particularly, although they seem to be coming from a different, distant acoustic), the sharp attack of the strings, and a timpani thwap that punctuates just as it ought to, he brilliantly realizes the comedy of the text and music. This is top of the line. [4/12/2004]

 

-- Robert Levine, ClassicsToday.com

 

Gluck's Orfeo & Euridice

Would it be too bold to say that this version of Orfeo & Euridice is the most moving, beautiful, and simply right in a very crowded (and worthy) market? Listen and believe: Neither stinting on overt theatrics nor pathos, René Jacobs has managed to remove Orfeo from its exquisite shelf, normally labeled "reform opera", and present it as a drama never previously heard or discussed, and therefore without its baggage. He and his sublime players lunge into the overture at great speed and with tremendous energy and thrust, percussion thwapping, truly preparing the audience for an "event". The sad opening chorus, with Orfeo's sadder interpolations of Euridice's name, therefore affects us even more--the contrast is palpable--and the entire opening scene, lament after lament, is heartbreaking. Orfeo begins to rail against the gods and his sorrow turns to rage. At every turn, mezzo Bernarda Fink finds the right tone for the hero; her use of shading and dynamics is masterly. Amore, in the person of Maria Cristina Kiehr, is innocent and white-voiced (if also tempting) and gives Orfeo hope; his confusion grows as he accepts the challenge. The infernal start of the second act is ice-cold rather than boiling hot, with Gluck's dissonances underlined with trepidation as the chorus warns Orfeo. Their dialogue is a true dialogue; Orfeo is steadfast, and the chorus retreats, pianissimo, to the distant sound of thunder as Orfeo enters Hell.

 

I won't take the rest of the opera step-by-step, but suffice it to say that the Elysian Fields music never has sounded so lovely or so serene, and Orfeo's reaction to its serenity never has seemed so honest and relieved. And so it goes--each scene comes vividly to life, each situation rings true. The playing of the woodwinds is ethereal, almost unreal, as calming as the monsters' music was disturbing. The couple is reunited. For once the exchange between them at the start of Act 4 seems like a genuine predicament (Euridice nags almost as much as Desdemona) and it's easy to see why this Orfeo can't resist his Euridice, so vivid is Veronica Cangemi's way with the text, so sweet and convincing her pleading. And Jacobs' rhythmic forward propulsion in their duet adds urgency. When Orfeo does look back and Euridice disappears, our hero is beside himself, leaning more on chest voice than ever before in the performance. "Che faro..." is breathtaking in its simple sadness. Throughout, startlingly, Jacobs allows his singers to embellish the vocal line somewhat (horror of horrors, true Gluckians may feel), and in the lament the generous use of appoggiaturas underscores the character's grief. What more can I say? This is a divine performance, on a par with Jacobs' ground-breaking, fascinating Cosi fan tutte of a couple of years back. If you own only one recording of this opera, this should be it. And if you have a favorite, I bet this one will either replace it or tie it for first.

 

-- Robert Levine, ClassicsToday.com

 

Rameau's Castor et Pollux

Rameau’s reputation as one of the greatest French composers of the late Baroque rests chiefly on his operas, with their colourful orchestrations, dramatic choruses and subtle blends of aria and expressive recitative. These attributes are already to the fore in Castor et Pollux, his second completed tragédie en musique, which was first staged in 1737.

 

Though Rameau prepared a shorter, much-revised version in 1754, it is the original that is performed here, complete with its enchanting allegorical prologue and leisurely procession of dances, airs and set-piece spectacles.

 

Though his pacing isn’t very dramatic – and definitely flags in Act IV – Rameau does provide a wonderful variety of music: notably, Télaire’s tragic ‘Tristes apprêts’ in Act I, a thrilling trio plus a chorus of irate demons in Act III, and Castor and Télaire’s anguished dialogue in Act V, which closes with a ceremonial flourish – Jupiter descending on an eagle amidst much orchestral thunder.

 

William Christie and Les Arts Florissants are outstanding exponents of this repertory. The playing is superb and the singing, from principals through to chorus, is magnificent. Castor et Pollux may not be Rameau’s most compelling opera but it couldn’t receive a more brilliant or persuasive account.

 

-- Graham Lock, BBC Music Magazine

 

Handel's Solomon

Well, it's happened again--another reference-recording shake-up. This new Solomon from Daniel Reuss, the RIAS Kammerchor, and Akademie für Alte Musik Berlin is now the one to own, and unless you're a collector of these things, the only one you'll need. And that's not to diminish the achievements of Gardiner or of the recent McGegan live production on Carus, but this performance and recording are so dynamic and vibrant, so present and powerful that you can't help but be swept up in the sheer glory and grandeur of one of Handel's greatest scores. Yes, Gardiner's 1984 Philips recording remains impressive, especially for the clarity and detail of the orchestra and the consistently strong, committed performances by all concerned; but this one is even more magnificent, the soloists just a notch more attuned to the drama, while the chorus and orchestra go beyond the performance of a series of "numbers" to really inhabit the scenes and effectively impart the character and mood of the story.

 

Sarah Connolly, who's already made her mark as a Handel singer, here an alto, elsewhere a mezzo (type Q10090 and Q8177 in Search Reviews), is one of the more commanding, darker-voiced Solomons on disc (the part was written for a mezzo), and she delivers the role with a confident, thoughtful, respectfully theatrical air that's always mindful of the character while fully exploiting Handel's abundant opportunities for purely lovely musical expression. And speaking of "lovely musical expression", Susan Gritton's "Beneath the vine, or fig-tree's shade", near the end of Act 2, is among the most beautifully sung Handel arias you'll ever hear, a show-stopping performance that you'll just have to repeat once or twice before moving on to the following chorus.

 

All the while, Daniel Reuss shows his affinity for this score by his absolutely "right" management of tempo and flow, of rhythmic cadence, of sonority and dynamic gradation. The contrasts--between, say, the aforementioned "Beneath the vine...", one of Handel's heart-rending gems, and the work's final, rousing chorus--are real and purposeful. The choruses--and these are some of Handel's finest--are properly inflected and sung with requisite technical discipline joined with the sort of buoyant, open-hearted spirit that's bound up in nearly everything Handel wrote, but that's rarely so affectingly realized. The same must be said of this excellent orchestra's performance, and it's all complemented by ideally balanced, vibrant, room-filling sound. This is one of those recordings that from the opening moments assures you that you won't be going anywhere--it's that good, it's that compelling, and it's absolutely essential.

 

-- David Vernier, ClassicsToday.com

 

Haydn Symphonies

"I loved this disc. Jacobs and his crew go absolutely crazy in the "Oxford" Symphony, particularly its finale, taken faster than even the excellent Freiburgers can comfortably play it, and if some of the rhythmic definition and textural clarity fall by the wayside, well, who cares? Haydn's wig would have hit the floor if he could have heard it, that's for sure."

 

-- David Hurwitz, ClassicsToday.com

 

"The Freiburg Baroque Orchestra plays fabulously, with outstanding contributions from Karl Kaiser (flute), Petra Millejans (violin), and the two horn players. With respect to these latter instruments in particular, so often period players make a fetish out of producing stopped tones more appropriate to the kazoo--but listen to the rich, lovely sounds that principal horn Teunis van der Zwart makes at the first movement recapitulation of Symphony No. 6. There ought to be a Romantic quality to all fine horn playing, nowhere more so than in classical period works where the instrument's association with the hunt is never far from the surface.

 

But there's much more to enjoy than noble-toned horns. Here's one conductorless band that plans its performances on a scale larger than most standard orchestras manage. Even with relatively small forces they play with a big dynamic range, and no mean sense of drama--check out the operatic slow movement of No. 7, with its very vocally expressive opening instrumental recitative. Tempos are generally swift but always are chosen to give the players the room they need to phrase and characterize the music to maximum effect, and Harmonia Mundi affords the ensemble ideally balanced, warmly detailed sound. Sadly, recordings of this music come and go, but let's hope this one sticks around long enough for music lovers to discover just how wonderful it is."

 

-- David Hurwitz, ClassicsToday.com

 

Dauvergne's Les Troqueurs

This delightful trifle offers a fascinating glimpse of French opera in the declining years of the Baroque. It is not so much a homage to Italian taste as a near complete capitulation to it. The result is melodious, pacey and, with a nod to the French manner, distinctively orchestrated. This is an elegant performance, though not without blemish; the singing is well characterised and, on the whole, consistently pleasing. An enticing issue.

 

-- Jan Smaczny, BBC Music Magazine

 

Telemann's Concerto "Die Relinge"

"The centerpiece (as well as pièce de résistance) of this program is Telemann's recently discovered violin concerto in A subtitled "Les Rainettes". While the first movement begins safely enough, the abrupt whining pitch of soloist Midori Seiler's violin soon interjects, her instrument purporting to allude to (according to the notes) a croaking frog though ultimately sounding more like a diffuse air raid siren. This auspicious entry begins one of the most imaginatively styled programmatic displays this side of Biber--and once heard, this grand concerto will not soon be forgotten."

 

--John Greene, ClassicsToday.com

 

 

 

Works on This Recording Back to Top

 

1. Le nozze di Figaro, K 492 by Wolfgang Amadeus Mozart

 

Performer: Kobie van Rensburg (Tenor), Véronique Gens (Soprano), Patrizia Ciofi (Soprano),

Marie McLaughlin (Soprano), Antonio Abete (Bass), Nicolau De Figueiredo (Piano),

Nuria Rial (Soprano), Lorenzo Regazzo (Bass), Simon Keenlyside (Baritone),

Angelika Kirchschlager (Mezzo Soprano)

Conductor: René Jacobs

Orchestra/Ensemble: Concerto Cologne, Cologne Collegium Vocale

Period: Classical

Written: 1786; Vienna, Austria

 

 

 

2. Orfeo ed Euridice by Christoph W. Gluck

 

Performer: Veronica Cangemi (Soprano), Maria Cristina Kiehr (Soprano), Bernarda Fink (Mezzo Soprano)

Conductor: René Jacobs

Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Freiburg Baroque Orchestra

Period: Classical

Written: 1762/1774; Vienna, Austria

Language: Italian

 

 

 

3. Castor et Pollux by Jean-Philippe Rameau

 

Performer: Sophie Daneman (Soprano), Jérôme Corréas (Bass Baritone), Agnès Mellon (Soprano),

Howard Crook (Tenor), Véronique Gens (Soprano), Adrian Brand (Tenor),

René Schirrer (Bass), René Schirrer (Baritone), Claire Brua (Soprano),

Sandrine Piau (Soprano), Mark Padmore (Countertenor), Jean-Claude Sarragosse (Bass)

Conductor: William Christie

Orchestra/Ensemble: Les Arts Florissants

Period: Baroque

Written: 1737; Paris, France

Date of Recording: 09/1992

Length: 173 Minutes 0 Secs.

Language: French

 

 

 

4. Solomon, HWV 67 by George Frideric Handel

 

Performer: David Wilson-Johnson (Bass), Susan Gritton (Soprano), Mark Padmore (Tenor),

Carolyn Sampson (Soprano), Sarah Connolly (Alto)

Conductor: Daniel Reuss

Orchestra/Ensemble: Berlin RIAS Chamber Chorus, Academy for Ancient Music Berlin

Period: Baroque

Written: by 1749; London, England

 

 

 

5. Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven

 

Performer: Melanie Diener (Soprano), Petra Lang (Mezzo Soprano), Endrik Wottrich (Tenor),

Dietrich Henschel (Baritone)

Conductor: Philippe Herreweghe

Orchestra/Ensemble: La Chapelle Royale Paris, Collegium Vocale, Champs-Élysées Orchestra

Period: Classical

Written: 1822-1824; Vienna, Austria

Date of Recording: 10/1998

Venue: Live Great Hall, Arsenal, Metz, France

Length: 62 Minutes 29 Secs.

Language: German

 

 

 

6. Symphony no 6 in D major, H 1 no 6 "Le Matin" by Franz Joseph Haydn

 

Conductor: Petra Müllejans

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: ?1761; Eszterhazá, Hungary

 

 

 

7. Symphony no 7 in C major, H 1 no 7 "Le Midi" by Franz Joseph Haydn

 

Conductor: Petra Müllejans

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: 1761; Eszterhazá, Hungary

 

 

 

8. Symphony no 92 in G major, H 1 no 92 "Oxford" by Franz Joseph Haydn

 

Conductor: René Jacobs

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: 1789; Eszterhazá, Hungary

 

 

 

9. Les troqueurs by Antoine Dauvergne

 

Performer: Marie Saint-Palais (Soprano), Sophie Marin-Degor (Soprano), Nicolas Rivenq (Baritone),

Jean-Marc Salzmann (Bass)

Conductor: William Christie

Orchestra/Ensemble: Cappella Coloniensis

Period: Classical

Written: 1753; Paris, France

Language: French

 

 

 

10. Sonata for Keyboard no 62 in E flat major, H 16 no 52 by Franz Joseph Haydn

 

Performer: Alain Planès (Piano)

Period: Classical

Written: 1794

 

 

 

11. Sonata for Keyboard no 60 in C major, H 16 no 50 by Franz Joseph Haydn

 

Performer: Alain Planès (Piano)

Period: Classical

Written: c1794-95

 

 

 

12. Sonata for Keyboard no 39 in D major, H 16 no 24 by Franz Joseph Haydn

 

Performer: Alain Planès (Piano)

Period: Classical

Written: ?1773; Eszterhazá, Hungary

 

 

 

13. Sonata for Keyboard no 33 in C minor, H 16 no 20 by Franz Joseph Haydn

 

Performer: Alain Planès (Piano)

Written: 1771

 

 

 

14. Requiem Mass by André Campra

 

Performer: Elisabeth Baudry (Soprano), Monique Zanetti (Soprano), Josep Benet (Countertenor),

Stephen Varcoe (Baritone), John Elwes (Tenor)

Conductor: Philippe Herreweghe

Orchestra/Ensemble: La Chapelle Royale Paris

Period: Baroque

Written: circa 1722; France

 

 

 

15. Stabat Mater by Giovanni Battista Pergolesi

 

Performer: Bernarda Fink (Mezzo Soprano), Anna Prohaska (Soprano)

Conductor: Bernhard Forck

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: 1736; Pozzuoli, Italy

 

 

 

16. Pièces de clavecin, Book 4: Ordre 26 in F sharp minor by François Couperin

 

Performer: Christophe Rousset (Harpsichord)

Period: Baroque

Written: by 1730; Paris, France

 

 

 

17. Pièces de clavecin, Book 4: Ordre 25 in E flat major/C major/C minor by François Couperin

 

Performer: Christophe Rousset (Harpsichord)

Period: Baroque

Written: by 1730; Paris, France

 

 

 

18. Pièces de clavecin, Book 2: Ordre 6 in B flat major by François Couperin

 

Performer: Christophe Rousset (Harpsichord)

Period: Baroque

Written: by 1717; Paris, France

 

 

 

19. Pièces de clavecin en concerts: 5th Concert by Jean-Philippe Rameau

 

Performer: Christophe Rousset (Harpsichord), Ryo Terakado (Violin), Kaori Uemura (Bass Viola Da Gamba)

Period: Baroque

Written: by 1741; France

 

 

 

20. Pièces de clavecin en concerts: 1st Concert by Jean-Philippe Rameau

 

Performer: Christophe Rousset (Harpsichord), Ryo Terakado (Violin), Kaori Uemura (Bass Viola Da Gamba)

Period: Baroque

Written: by 1741; France

 

 

 

21. Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: 1725; Venice, Italy

 

 

 

22. Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: circa 1725; Venice, Italy

 

 

 

23. Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: 1725; Venice, Italy

 

 

 

24. Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: 1725; Venice, Italy

 

 

 

25. Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: 1725; Venice, Italy

 

 

 

26. Concerto for Violin in A major, TV 51 no A 4 "Die Relinge" by Georg Philipp Telemann

 

Performer: Midori Seiler (Violin)

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Baroque

Written: Germany

Date of Recording: 03/2001

Venue: Christ Church, Berlin, Germany

Length: 12 Minutes 55 Secs.

 

 

 

27. Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach

 

Conductor: Richard Egarr

Orchestra/Ensemble: Academy of Ancient Music

Period: Baroque

Written: 1708-1710; ?Weimar, Germany

 

 

 

28. Concertos (6) for Organ, Op. 4: no 3 in G minor, HWV 291 by George Frideric Handel

 

Performer: Richard Egarr (Organ)

Orchestra/Ensemble: Academy of Ancient Music

Period: Baroque

Written: 1735; London, England

 

 

 

29. Concerto for Cello in G minor by Mathias Georg Monn

 

Performer: Jean-Guihen Queyras (Cello)

Conductor: Petra Müllejans

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Baroque

Written: 18th Century; Austria

 

 

 

30. Concerto grosso no 5 by Giuseppe Tartini

 

Conductor: Chiara Banchini

Orchestra/Ensemble: Ensemble 415

Period: Baroque

Written: 18th Century; Italy

 

 

 

31. Concerto for Violin in A minor "Lunardo Venier" by Giuseppe Tartini

 

Performer: Enrico Gatti (Violin)

Conductor: Chiara Banchini

Orchestra/Ensemble: Ensemble 415

Period: Baroque

Written: Italy

 

 

 

32. Concertos (6) for Harpsichord, Wq 43: no 5 in G major/H 475 by Carl Philipp Emmanuel Bach

 

Performer: Andreas Staier (Harpsichord)

Conductor: Petra Müllejans

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: 1771; Hamburg, Germany

 

 

 

33. Concertos (6) for Keyboard, Op. 7: no 5 in E flat major by Johann Christian Bach

 

Performer: Lars Ulrik Mortensen (Harpsichord)

Orchestra/Ensemble: London Baroque

Period: Classical

Written: by 1770; London, England

 

 

 

34. Concerto for Violin no 1 in C major, H 7a no 1 by Franz Joseph Haydn

 

Performer: Gottfried Von der Goltz (Violin)

Conductor: Gottfried Von der Goltz

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: by 1769; Eszterhazá, Hungary

 

 

 

35. Concerto for Piano in G major, K 107 no 2 by Wolfgang Amadeus Mozart

 

Performer: Lars Ulrik Mortensen (Harpsichord)

Orchestra/Ensemble: London Baroque

Period: Classical

Written: 1772; Salzburg, Austria

 

 

 

36. Sinfonia concertante for Winds in E flat major, K 297b (K Anh 9) by Wolfgang Amadeus Mozart

 

Performer: Javier Zafra (Bassoon), Susanne Kaiser (Flute), Ann-Kathrin Bruggemann (Oboe),

Erwin Wieringa (French Horn)

Conductor: Gottfried Von der Goltz

Orchestra/Ensemble: Freiburg Baroque Orchestra

Written: 1778

 

 

 

37. Concerto for Clarinet/Flute/Cello in C major, B 106 by Ignace Joseph Pleyel

 

Performer: Ivan Monighetti (Cello)

Conductor: Stephan Mai

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Classical

Written: by 1797

 

 

 

38. Concerto for Piano no 21 in C major, K 467 by Wolfgang Amadeus Mozart

 

Performer: Stefan Vladar (Piano)

Orchestra/Ensemble: Camerata Salzburg

Period: Classical

Written: 1785; Vienna, Austria

 

 

 

39. Concerto for Piano no 2 in B flat major, Op. 19 by Ludwig van Beethoven

 

Performer: Paul Lewis (Piano)

Conductor: Jiri Belohlávek

Orchestra/Ensemble: BBC Symphony Orchestra

Period: Classical

Written: 1793/1798; Vienna, Austria

 

 

 

40. Symphony in D major, JC 14 by Giovanni Battista Sammartini

 

Conductor: Chiara Banchini

Orchestra/Ensemble: Ensemble 415

Period: Classical

Written: 18th Century; Italy

 

 

 

41. Symphony in G major, JC 39 by Giovanni Battista Sammartini

 

Conductor: Chiara Banchini

Orchestra/Ensemble: Ensemble 415

Period: Classical

Written: 18th Century; Italy

 

 

 

42. Sinfonia in F major, F 67 "Dissonant" by Wilhelm Friedemann Bach

 

Conductor: Stephan Mai

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Classical

Written: 1733-1746; Germany

 

 

 

43. Sinfonias (4), Wq 183: no 1 in D major, H 663 by Carl Philipp Emmanuel Bach

 

Conductor: Andrew Manze

Orchestra/Ensemble: English Concert

Period: Classical

Written: 1775-1776; Hamburg, Germany

 

 

 

44. Symphony in D minor, Op. 12 no 4/G 506 "Nella casa del diavolo" by Luigi Boccherini

 

Conductor: Chiara Banchini

Orchestra/Ensemble: Ensemble 415

Period: Classical

Written: 1771; Spain

Date of Recording: 07/1988

 

 

 

45. Symphonies (6), Op. 6: no 6 in G minor by Johann Christian Bach

 

Conductor: Stephan Mai

Orchestra/Ensemble: Academy for Ancient Music Berlin

Period: Classical

Written: by 1770

 

 

 

46. Symphony no 41 in C major, K 551 "Jupiter" by Wolfgang Amadeus Mozart

 

Conductor: René Jacobs

Orchestra/Ensemble: Freiburg Baroque Orchestra

Period: Classical

Written: 1788; Vienna, Austria

 

 

 

47. Sonata for Oboe and Basso Continuo in C minor, RV 53 by Antonio Vivaldi

 

Performer: John Toll (Harpsichord), Paul Goodwin (Oboe), Nigel North (Archlute),

Susan Sheppard (Cello)

Period: Baroque

Written: Venice, Italy

 

 

 

48. Getreue Music-Meister: Sonata for Oboe and Basso Continuo in A minor, TV 41 no a 3 by Georg Philipp Telemann

 

Performer: Susan Sheppard (Cello), Nigel North (Lute), Paul Goodwin (Oboe),

John Toll (Harpsichord)

Period: Baroque

Written: by 1728; Hamburg, Germany

 

 

 

49. Musikalisches Opfer, BWV 1079: no 11, Trio Sonata for Flute and Continuo in C minor by Johann Sebastian Bach

 

Performer: Davitt Moroney (Harpsichord), Janet See (Flute), John Holloway (Violin),

Jaap ter Linden (Cello), Martha Cook (Harpsichord)

Period: Baroque

Written: 1747; Leipzig, Germany

 

 

 

50. Trio for 2 Violins and Basso continuo in A major, HW 7 no 2 by J. C. F. Bach

 

Orchestra/Ensemble: London Baroque

Period: Classical

Written: Germany

 

 

 

51. Trio Sonata for 2 Violins and Basso Continuo in F major, Wq 154/H 576 by Carl Philipp Emmanuel Bach

 

Orchestra/Ensemble: London Baroque

Period: Classical

 

 

 

52. Sonatas (4) for Harpsichord, Violin and Cello, Op. 16: no 4 in F major by Johann Schobert

 

Performer: Chiara Banchini (Violin), Luciano Sgrizzi (Piano), Philipp Bosbach (Cello)

Period: Classical

 

 

 

53. Sonatas (7) for Keyboard "Frische Clavier Früchte": no 3 by Johann Kuhnau

 

Performer: John Butt (Harpsichord)

Period: Baroque

Written: by 1696; Germany

 

 

 

54. Sonatas (7) for Keyboard "Frische Clavier Früchte: no 5 by Johann Kuhnau

 

Performer: John Butt (Harpsichord)

Period: Baroque

Written: by 1696; Germany

 

 

 

55. Sonatas (7) for Keyboard "Frische Clavier Früchte: no 7 by Johann Kuhnau

 

Performer: John Butt (Harpsichord)

Period: Baroque

Written: by 1696; Germany

 

 

 

56. Pieces de clavecin avec voix et violon, Op 5: Paratum cor meum by Jean-Joseph Cassanéa de Mondonville

 

Performer: Judith Nelson (Soprano), Stanley Ritchie (Violin), William Christie (Harpsichord)

Period: Baroque

Written: 1748

 

 

 

57. Pieces de clavecin avec voix et violon, Op 5: In Domino laudabitur by Jean-Joseph Cassanéa de Mondonville

 

Performer: Judith Nelson (Soprano), Stanley Ritchie (Violin), William Christie (Harpsichord)

Period: Baroque

Written: 1748

 

 

 

58. Sonata for Violin and Piano in F major, K 376 (374d) by Wolfgang Amadeus Mozart

 

Performer: Chiara Banchini (Violin), Temenuschka Vesselinova (Fortepiano)

Period: Classical

Written: 1781; Vienna, Austria

 

 

 

59. Sonata for Violin and Piano in G major, K 379 (373a) by Wolfgang Amadeus Mozart

 

Performer: Chiara Banchini (Violin), Temenuschka Vesselinova (Fortepiano)

Period: Classical

Written: 1781; Vienna, Austria

 

 

 

60. Trio for Piano, Violin and Cello in C major, H 15 no 27 by Franz Joseph Haydn

 

Performer: Erich Höbarth (Violin), Christophe Coin (Cello), Patrick Cohen (Piano)

Period: Classical

Written: 1795-1797; Vienna, Austria

 

 

 

61. Trio for Piano and Strings no 1 in G major, K 496 by Wolfgang Amadeus Mozart

 

Orchestra/Ensemble: Mozartean Players

Period: Classical

Written: 1786; Vienna, Austria

 

 

 

62. Trio for Piano and Strings no 3 in C minor, Op. 1 no 3 by Ludwig van Beethoven

 

Performer: Andreas Staier (Fortepiano), Daniel Sepec (Violin), Jean-Guihen Queyras (Cello)

Period: Classical

Written: 1794-1795; Vienna, Austria

 

 

 

63. Sonata for Piano no 12 in F major, K 332 (300k) by Wolfgang Amadeus Mozart

 

Performer: Andreas Staier (Harpsichord)

Period: Classical

Written: 1781-1783; Vienna, Austria

 

 

 

64. Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart

 

Performer: Andreas Staier (Harpsichord)

Period: Classical

Written: 1781-1783

 

 

 

65. Sonata for Piano no 4 in E flat major, K 282 (189g) by Wolfgang Amadeus Mozart

 

Performer: Andreas Staier (Harpsichord)

Period: Classical

Written: 1775; Munich, Germany

 

 

 

66. Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van Beethoven

 

Performer: Paul Lewis (Piano)

Period: Classical

Written: 1803-1804; Vienna, Austria

 

 

 

67. Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven

 

Performer: Paul Lewis (Piano)

Period: Classical

Written: 1802; Vienna, Austria

 

 

 

68. Sonata for Piano no 1 in F minor, Op. 2 no 1 by Ludwig van Beethoven

 

Performer: Paul Lewis (Piano)

Period: Classical

Written: 1793-1795; Vienna, Austria

 

 

 

69. Quartets (6) for Flute, Violin, Viola da Gamba, Bk 1 "Paris Quartets": no 3 in A, TV 43 no A 1 by Georg Philipp Telemann

 

Orchestra/Ensemble: Freiburg Baroque Orchestra Consort

Period: Baroque

Written: by 1730; Hamburg, Germany

 

 

 

70. Quartet for Strings in C major, Op. 33 no 3/H 3 no 39 "Bird" by Franz Joseph Haydn

 

Orchestra/Ensemble: Jerusalem String Quartet

Period: Classical

Written: 1781; Eszterhazá, Hungary

Length: 19 Minutes 25 Secs.

 

 

 

71. Quartet for Strings no 4 in C major, K 157 by Wolfgang Amadeus Mozart

 

Orchestra/Ensemble: Jerusalem String Quartet

Period: Classical

Written: 1772-1773; Milan, Italy

 

 

 

72. Quartet for Strings no 17 in B flat major, K 458 "Hunt" by Wolfgang Amadeus Mozart

 

Orchestra/Ensemble: Jerusalem String Quartet

Period: Classical

Written: 1784; Vienna, Austria

 

 

 

73. Quartets (6) for Clarinet/Oboe and Strings Op. 8: no 1 in D major by Carl Stamitz

 

Performer: Paul Goodwin (Oboe)

Orchestra/Ensemble: Terzetto

Period: Classical

Written: by 1773; France

 

 

 

74. Quartet for Strings in D minor, Op. 76 no 2/H 3 no 76 "Quinten" by Franz Joseph Haydn

 

Orchestra/Ensemble: Jerusalem String Quartet

Period: Classical

Written: 1797; Vienna, Austria

 

 

 

75. Quartet for Strings no 6 in B flat major, Op. 18 no 6 by Ludwig van Beethoven

 

Orchestra/Ensemble: Tokyo String Quartet

Period: Classical

Written: 1800; Vienna, Austria

 

 

 

76. Quartet for Strings no 13 in B flat major, Op. 130 by Ludwig van Beethoven

 

Orchestra/Ensemble: Tokyo String Quartet

Period: Classical

Written: 1825-1826; Vienna, Austria

 

 

 

77. Grosse Fuge for String Quartet in B flat major Op. 133 by Ludwig van Beethoven

 

Orchestra/Ensemble: Tokyo String Quartet

Period: Classical

Written: 1825-1826; Vienna, Austria

 

 

 

78. Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven

 

Orchestra/Ensemble: Tokyo String Quartet

Period: Classical

Written: 1826; Vienna, Austria

[ABs]

... ciekawe mamy czasy :-)

 

Der BachPod !

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Gość papageno]

... ciekawe mamy czasy :-)

 

Der BachPod !

 

http://www.jpc.de/jpcng/classic/detail/-/art/Johann-Sebastian-Bach-1685-1750-Der-BachPod-Die-Bach-Edition-auf-einem-120-GB-Apple-i-Pod/hnum/7141131

http://www.jpc.de/jpcng/classic/detail/-/art/Johann-Sebastian-Bach-1685-1750-Die-Digitale-Bach-Edition-auf-einem-i-Pod-touch-32-GB/hnum/1156347

Na naszych oczach wyrosło piękne pokolenie cyborgów: laptop stał się częścią mózgu, uchem iPod, przy pomocy komórki komunikują się. Darwin nie przewidział aż takiego skoku ewolucyjnego.

Ciekawe, czy do tego Bacha dodają też taki zestaw. Niebawem będzie im potrzebny.

[ABs]

Tak troche to przykre, ale najważniejsze, żeby mieli siłe i sprawność fizyczną tak jak my mamy! - a nam pozostaje obserwacja i ewentualnie jak sił zbraknie korzystanie z takich zestawów jw ;-))

również zaczynam tracić wiare patrząc do okoła na tzw. rynek muzyczny - na szczęście mam inne odskocznie, czyli cykliczny wysiłek fizyczny, szkoda że lato za pasem i trzeba będzie do boxów powrócić... :-))

 

ps

ciekawe do kogo adresowany jest taki BachPod za 450eur? tutaj musi być jakiś haczyk :-))))

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[marco1972]

Wspaniała seria EMI Great Recordings of the Century w boksie 31 płytowym - wspaniałe nagrania :

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

 

Kolejny mega box Artur Rubinstein 142 cd !!!

Gratka dla miłośników wielkiej pianistyki.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[dzarro]

Na naszych oczach wyrosło piękne pokolenie cyborgów: laptop stał się częścią mózgu, uchem iPod, przy pomocy komórki komunikują się. Darwin nie przewidział aż takiego skoku ewolucyjnego.

Ciekawe, czy do tego Bacha dodają też taki zestaw. Niebawem będzie im potrzebny.

 

Skoro kupią iPoda z Bachem to dlaczego mają być cyborgami? Lepszy bach na iPodzie niż Diana Krall na Audio Note.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[marimar]

Skoro kupią iPoda z Bachem to dlaczego mają być cyborgami? Lepszy bach na iPodzie niż Diana Krall na Audio Note.

Diana nie jest taka zła, a już na Audio Note to wielce kusząca. W przeciwieństwie do Bacha na 'i' coś tam.

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[meloman 62]

Bardzo ciekawe wykonanie - polecam !

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Jakew]

Decca Sound - 50 cds, już w sklepach

 

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[broy]

Tylko ta cena....zaporowa póki co

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )

[Gość papageno]

Tylko ta cena....zaporowa póki co

Co tam cena. Box rewelacyjny. Sprowadziłem go z Niemiec, gdy tylko się ukazał.

[Jakew]

Cena? Zaporowa. Która cena?

 

Rzućcie coś czytelnikom - jakieś mięsko - zamiast "ta cena" lepiej i empatyczniej koorwa podać konkretną kwotę ( która wywołała wrażenie zaporowości) - ja np. widuję w cenie 7-8zł za cd ten zestaw

Ukryta Zawartość

Zaloguj się, aby zobaczyć treść.

Zaloguj się, aby zobaczyć treść (możliwe logowanie za pomocą )